' ].join(''); if ( adsScript && adsScript === 'bandsintown' && adsPlatforms && ((window.isIOS && adsPlatforms.indexOf("iOS") >= 0) || (window.isAndroid && adsPlatforms.indexOf("Android") >= 0)) && adsLocations && adsMode && ( (adsMode === 'include' && adsLocations.indexOf(window.adsLocation) >= 0) || (adsMode === 'exclude' && adsLocations.indexOf(window.adsLocation) == -1) ) ) { var opts = { artist: "", song: "", adunit_id: 100005950, div_id: "cf_async_c1e8bbe1-aafc-44c8-8e0b-912de6f2d920" }; adUnit.id = opts.div_id; if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.tunefindforfans.com/fruits/apricots.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; } else { adUnit.id = 'pw-c1e8bbe1-aafc-44c8-8e0b-912de6f2d920'; adUnit.className = 'pw-div'; adUnit.setAttribute('data-pw-' + (renderMobile ? 'mobi' : 'desk'), 'sky_btf'); if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } window.addEventListener('DOMContentLoaded', (event) => { adUnit.insertAdjacentHTML('afterend', kicker); window.ramp.que.push(function () { window.ramp.addTag('pw-c1e8bbe1-aafc-44c8-8e0b-912de6f2d920'); }); }, { once: true }); } } tag.remove(); })(document.getElementById('script-c1e8bbe1-aafc-44c8-8e0b-912de6f2d920'));
1995
Directed by David Greene
Synopsis
Gypsy Smith, is a gunfighter and a bounty hunter. When he leads the US army into a Cheyenne camp to capture a suspected Indian renegade, a long train of events begins that finally lead to that 'good day to die'. White Wolf, only a child, is one of the few survivors of the massacre of his tribe that day, and Gypsy brings him to live with the Maxwell family, where he grows up not fully Indian and not really white but a bit too close to Rachel, the Maxwell daughter.
Gypsy now reappears, leading a group of Black settlers from the post-Civil War South to start a new life in a town of their own - Freedom in the Oklahoma Territory, its first black settlement. White Wolf (or Corby as a 'white' name') is now with his people, but all of these parts come back together in conflict, violence, loss, and Pyrric triumph.
' ].join(''); if ( adsScript && adsScript === 'bandsintown' && adsPlatforms && ((window.isIOS && adsPlatforms.indexOf("iOS") >= 0) || (window.isAndroid && adsPlatforms.indexOf("Android") >= 0)) && adsLocations && adsMode && ( (adsMode === 'include' && adsLocations.indexOf(window.adsLocation) >= 0) || (adsMode === 'exclude' && adsLocations.indexOf(window.adsLocation) == -1) ) ) { var opts = { artist: "", song: "", adunit_id: 100005950, div_id: "cf_async_a0a922de-26d7-4220-91c4-188c11982469" }; adUnit.id = opts.div_id; if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.tunefindforfans.com/fruits/apricots.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; } else { adUnit.id = 'pw-a0a922de-26d7-4220-91c4-188c11982469'; adUnit.className = 'pw-div -tile300x250 -alignleft'; adUnit.setAttribute('data-pw-' + (renderMobile ? 'mobi' : 'desk'), 'med_rect_atf'); if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } window.addEventListener('DOMContentLoaded', (event) => { adUnit.insertAdjacentHTML('afterend', kicker); window.ramp.que.push(function () { window.ramp.addTag('pw-a0a922de-26d7-4220-91c4-188c11982469'); }); }, { once: true }); } } tag.remove(); })(document.getElementById('script-a0a922de-26d7-4220-91c4-188c11982469'));
- Cast
- Crew
- Details
- Genres
Cast
Sidney Poitier Michael Moriarty Farrah Fawcett Katharine Isabelle Joanna Going Billy Wirth Regina Taylor Robert Guillaume Jim Caviezel John Pyper-Ferguson Grace Zabriskie Byron Chief-Moon Shirley Knight Basil Wallace Kevin McNulty Mitchell LaPlante Zachary Savard Jesse Lipscombe Lindsey Campbell Brent Stait Charles Andre Eric Keenleyside Tom Schanley Brian Jensen Dale Wilson Michael Elias Crystal Verge Donna Belleville Michelle Thrush Show All…
DirectorDirector
David Greene
ProducerProducer
Harold Lee Tichenor
WriterWriter
Joyce Eliason
Original WriterOriginal Writer
Clancy Carlile
CastingCasting
Donna Ekholdt Susan Bluestein
EditorEditor
Tod Feuerman
CinematographyCinematography
Ron Orieux
Executive ProducersExec. Producers
Frank Konigsberg Joyce Eliason
Production DesignProduction Design
Trevor Williams
ComposerComposer
Mark Snow
Studios
Vidmark Entertainment The Königsberg Company
Country
USA
Language
English
Alternative Titles
A Good Day to Die, Дети праха, Los hijos de la llanura, Die Rache der Gejagten, A préri vad gyermekei, La croisée des destins, 风尘之子
Genres
Drama Western
480mins More atIMDbTMDb Report this page
Popular reviews
More-
Review by Ruben Quiroga Kanahuaty ★★★
Too long for such a small story. Excessive in its telling without exploring a full picture. Bit and pieces of bravery and love with disproportionate performances.
-
Review by PeterCarantinos ★★★
20 years BEFORE the block buster all American Django … 20 years AFTER the all Australian Chant of Jimmy Blacksmith … there’s a soppy b grader that launches race and gender to the humble western!
Sorry guys .. no $ for script , support actors (Farah Faucet) , Director nor DOP … but ..
jeez … this is Sidney Pottier at his finest !!
This is a one hander that pulls you in with a decent story and peep into a renegades tortured soul. aaaaaand .. you have a front row seat to America’s first info attempt to splash its racist core beyond the Rockies ..
Needless to say no $ for marketing nor Oscar bribes so … one for the archives . -
Review by Olivia Urmahm ★★★★
I went into this movie thinking it was just a dumb bodice-ripper and ended up crying my eyes out TWICE.
THIS IS HARRASSMENT.
-
Review by reigerhooligan ★★★
Why tf does billy wirth talk like that???
-
Review by Rae⚝ ★★★
rachel's so me.
-
Review by CinemaEscape ½
Really feels scripted and not that interesting but Sydney is good in anything like always. I put this on the background while doing work just to listen to something and not much happens other than talking. But a lot of skipping, to long and a lot of not interesting kind of boring parts. I’m giving a 5/5 for the Sydney potier parts or .5 for this review as a whole not great. Sydney great